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Post by AnalogRearEnd on Jan 12, 2018 2:41:12 GMT
I've noticed this guy, and if you ask me he's one of the worst tards over there right now. He seems to be completely incapable of making any kind of sense.
Someone needs to punch this fuckstain right in the dick.
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Post by audiopro on Jan 12, 2018 3:19:20 GMT
Most 1960s Beach Boys albums clock in at around 24 minutes. Pet Sounds is unusually long.
It's only when Bruce Johnston starts weighing in with his pointless dirges that they start to feel much longer. Then there's the shit drummer they paid to keep away from the studio. How he's suddenly been reinvented as the unknown genius of the band is anybody's guess. His best song was actually written by Charles Manson.
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Post by hugofuguzev on Jan 12, 2018 6:25:42 GMT
I've noticed this guy, and if you ask me he's one of the worst tards over there right now. He seems to be completely incapable of making any kind of sense. Someone needs to punch this fuckstain right in the dick. He's another repeater apparently- you may be familiar with his poats as "Uly Gynns", who posted the same kind of inane bullshit during his time there. As for Smile, the problem with Smile is that is sucks- it's nothing but a bunch of incoherent drug fulled musical rambling. I heard the album once when they finally put it out a few years back and was like "Yeah...I can see why this was shelved in 1967". I don't think Sgt Pepper is any great shakes either but it's better than Smile. Mind ya, I hate The Beach Boys anyway...if there's a more goddamn whitebread act out there, I'd love to hear 'em (not!) |
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Post by AnalogRearEnd on Jan 12, 2018 7:33:30 GMT
Thanks, feels good to not be alone.
The fucking Beach Boys are the worst band ever. Pet Sounds needs to die in a fire. Shittiest album in existence. |
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Post by AnalogRearEnd on Jan 12, 2018 7:37:59 GMT
Just don't blame the drugs.
I've done all (and I mean all) the drugs (and still do now and then), but I've never made anything as shitty as the Beach Boys.
Holy fuck, they are just the worst white-boi shit. |
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Post by hugofuguzev on Jan 12, 2018 11:00:13 GMT
Just don't blame the drugs.
I've done all (and I mean all) the drugs (and still do now and then), but I've never made anything as shitty as the Beach Boys.
Holy fuck, they are just the worst white-boi shit. Coulda been worse...can you imagine if The Beach Boys had made those records when they were sober? |
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Post by sₚⲁᵣₖydₒg on Jan 12, 2018 14:53:46 GMT
Well, I'm mighty PRoUD of my Bleach Boys Cee Dee collection.
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Post by hoffa_nagila on Jan 12, 2018 21:42:35 GMT
forums.stevehoffman.tv/threads/if-smile-had-been-completed-in-1967-who-thinks-it-would-have-blown-sgt-pepper-out-of-the-water.450890/page-67#post-17886771I feel like Brian's ideas were better suited to say, a 4-6 hour long symphony than a 50 minute or so album. I just feel there's no focus to the project, no cohesiveness to the 1967 versions of the album, and that while his overall theme is "Americana", the limited numbers and limited space don't really portray this well. I guess I really just don't get it. What else doesn't this moron get? Let's see. Mahler's Symphony No. 3 is one of history's longest – and it clocks in at around 90–100 minutes. And this SHite is seriously proposing that Brian Fucking Wilson – an overgrown dimwitted infant with the attention span of a gnat – ought to have expanded his (more like 30 minute) tinpot pop LP (that he couldn't even finish) into a *4–6 hour long symphony*? You just cannot make up this stuff. You really cannot. Funny, I feel quite the opposite. Aside from Surf's Up, Heroes And Villains, and my personal favorite, Vegetables, it was rightfully scrapped. They should have put those out as singles. And then quit making music. |
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Post by AnalogRearEnd on Jan 12, 2018 23:16:25 GMT
Just don't blame the drugs.
I've done all (and I mean all) the drugs (and still do now and then), but I've never made anything as shitty as the Beach Boys.
Holy fuck, they are just the worst white-boi shit. Coulda been worse...can you imagine if The Beach Boys had made those records when they were sober?
I'd rather not, really.
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Post by Boozin' Susan on Jan 13, 2018 1:46:27 GMT
I bought the stereo Pet Sounds CD (after reading all the hype in different magazines at the time) and like it for what it is – a mid-60's pop album.
Smile is another story – an overblown mess that was rightfully shelved.
There are a few decent moments here and there, but you can tell Brian Wilson was just throwing shit at the wall, trying to see what would stick.
If Smile had been finished and released in 1967, it would have fallen without a trace, and the SHite-ified Brian Wilson "mystique" we've been hearing about since the sixties never would have taken root.
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Post by biscuitsinthewindow on Jan 13, 2018 11:51:39 GMT
The problem with it is it's by The Beach Boys.
Pet Sounds owes all of it's acclaim to Paul McCartney's comments about it.
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Post by antiram on Jan 14, 2018 7:52:49 GMT
The problem with it is it's by The Beach Boys. This has always been my chief problem with it, and Smile, and whatever other opus Brian came up with. I wasn't there at the time, but it is an album I have tried repeatedly to bond with because everyone says what a masterpiece it is. I gave up long ago. Brian Wilson may have been a crazed genius, but it was all in the service of Beach Boys albums. For me, the Beach Boys are the weakest link. It seems to me that the Beach Boys were for those who were too straight or uptight or corn-fed to get loose and funky in the 60's. Their sound, look, image, and personality are just square and alien to my way of life. They are one of the very few upper echelon bands that never had a song I could truly love. The one I've always liked most is the Manson one, which is creepy but resplendent with dark-hued psychedelic murk. But if Manson had given it to the Four Seasons instead, then it would be my favorite Four Seasons song. |
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Post by hugofuguzev on Jan 15, 2018 6:11:55 GMT
That's my problem with them as well- their sound is so fucking white bread, makes you wonder if Brian and the boys ever listened to any black artists at all. They probably did but it sure doesn't sound like it. |
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Post by Chicken in Black on Jan 15, 2018 12:12:42 GMT
It didn’t go well beyond Motown usually, but Al Jardine was into Leadbelly, and Carl Wilson made them hire Blondie Chaplin and Ricki Fataar after producing their previous band.
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Post by amygrant on Jan 16, 2018 5:29:36 GMT
calling the beach boys rock and roll is like calling getting a handjob real hardcore fuckin'.
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