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Post by My Avatar Is A Hot Babe on May 2, 2022 17:14:54 GMT
Yeah, I heard the 90-minute interview and also bought his autobiography Comedy Comedy Comedy Drama, which is a terrific read. www.amazon.com/Comedy-Drama-Memoir/dp/0399180516/It's surprising to find out how insecure and neurotic Odenkirk was as a person, because he's so naturally confident and engaging as an actor. But he had all kinds of failures doing comedy sketches and as a comedy writer in the 1980s and 1990s. His unlikely success as a dramatic actor in the 2000s is pretty extraordinary, because he was basically faking it the entire time. The details in the book on Odenkirk's heart attack last year were harrowing. I had a very similar heart attack almost 7 years ago, also a "widowmaker" with a clogged artery, and I'm just a few years older than Bob so I know exactly what he experienced. I was luckier: I never lost consciousness, had no heart damage, and they were able to plug in stents and send me home in 48 hours. I'm really glad that he recovered and was able to finish the show. Hmm, I read the book and don’t recall any mention of the heart attack. He finished his memoir before the heart attack.
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Sounds.. ago
Amy Grant
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Post by Sounds.. ago on May 2, 2022 17:31:43 GMT
Vidiot is the STeVE of video (and books).
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bradman
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Post by bradman on May 2, 2022 18:51:59 GMT
Lol, who lies about shit like that?
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Post by Boozin' Susan on May 2, 2022 19:05:42 GMT
Lol, who lies about shit like that? STeVE would.
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Post by sₚⲁᵣₖydₒg on May 2, 2022 19:16:25 GMT
STeVE would have made Odenkirk suck it up and put half a Xanax under his tongue.
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daved
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Post by daved on May 31, 2022 9:35:46 GMT
Lol, who lies about shit like that? Vidiot does. Like this one: Isn’t he just a fucking colour corrector. Is he actually still working? When is he going to actually talk to a director?
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Post by Chicken in Black on May 31, 2022 10:04:40 GMT
Plus, on a TV show (cinema doesn’t have a writers room), it’s the showrunner who decides these things. The director for an episode never has this kind of freedom and autonomy, especially as, until streaming happened, episodes had to stick to a determined length. The director has input on casting minor parts, performance choices, framing the shots and deciding on altering a few lines, especially when a cast member makes a suggestion, on set, but they seldom have control over editing and the rest of post. More important demands over a script would be voiced during a read through, with the choices being made by the showrunner. Besides pilots, where directors contribute to establish the look and feel of the show and create a template (which can get them an executive producer credit for the rest of its existence, even if they don’t do anything beyond the pilot), they’re just employees that can be easily replaced if needed.
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hoffa_nagila
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Post by hoffa_nagila on Jun 1, 2022 8:26:02 GMT
Plus, on a TV show (cinema doesn’t have a writers room), it’s the showrunner who decides these things. The director for an episode never has this kind of freedom and autonomy, especially as, until streaming happened , episodes had to stick to a determined length. The director has input on casting minor parts, performance choices, framing the shots and deciding on altering a few lines, especially when a cast member makes a suggestion, on set, but they seldom have control over editing and the rest of post. More important demands over a script would be voiced during a read through, with the choices being made by the showrunner. Besides pilots, where directors contribute to establish the look and feel of the show and create a template (which can get them an executive producer credit for the rest of its existence, even if they don’t do anything beyond the pilot), they’re just employees that can be easily replaced if needed. as a total outsider who only knows little things that I've read from showrunners and such, I was under the impression that episodes often ran longer than the final length, and sections were often filmed and later shortened or removed entirely, even pre-streaming. Some shows I believe even sometimes have longer edits that were used for their debut (and later on DVD or whatever) while a more standard length would be used for syndication. And once you get to premium cable, the length can vary greatly too since there isn't any concern over commercials.
Still, the idea of a director wanting to make a script longer seems laughable. After all, they already only have a set amount of time to capture what script is already in place. Why would they want to add more to the workload? Another 2 minutes of exposition could add hours of shooting.
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Post by Chicken in Black on Jun 1, 2022 8:56:19 GMT
Television is a form of media where the producers and the writers have the upper hand over the directors, which are only hired hands on shows (even name directors who guest on TV such as Quentin Tarantino). They basically have input about the tone of the performances and the camera work for a particular episode, but can't change freely the script or have time to come up with something supposedly better during production, as the schedule is very tight, and overtime very expensive. So, if the producers still insist on shooting the original script, the scene could be pushed back at the end of the week and eat a lot of the budget.
Editors do fine-tune the footage, but it's one thing to make adjustments when the pace of some scenes went a little quicker or slower than written on the pages and another thing to fill two or five minutes just because the director for the episode made the choice not to shoot a sequence and to replace it with something much shorter. Besides, exposition on television tends to be quite redundant, because people are supposed to miss an episode or not necessarily "binge" on a season, and still understand what's going on with the plot. If you remove useless exposition for soap operas, where scenes almost always play twice, it would be a disaster to put together.
Of course, I'm speaking in very broad generalities. For shows such as Veep, that rely a lot on improv, there's much more work to do in editing, given the variations in delivery and lines from take to take. But once again, the main role of the director for such a show is to make the cast comfortable and to keep a steady pace, not to introduce innovations into a well-oiled machine.
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daved
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Post by daved on Jun 10, 2022 23:09:56 GMT
What a treat this guy is.
“Cmon, a rabbit with a New York accent? This isn’t realistic!”. Putz.
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daved
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Post by daved on Jan 5, 2023 10:31:53 GMT
51 is the new 90.
That thread is filled with Vidiot being a Vidiot. Of course Mr Clogged Arteries can’t fathom why people wanna do stuff.
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Post by Norman ‘Whiplash’ Mailer on Jan 5, 2023 12:01:22 GMT
He also apparently believes everything he reads on CelebrityNetWorth. Edit: Was going to add this comment of Vidiot being an asshole but changed my mind. But then people added comments echoing my thoughts, so I’m adding it now:
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Post by Aquaholic 2.0 on Jan 5, 2023 15:13:43 GMT
So, if I understand this correctly, had this accident happened to someone outside of “the biz” it would be perfectly fine. However, since it happened to someone who apparently is worth $80mil then we can’t have that. It’s a shame it happened, I wish Jeremy Renner all the best on his recovery, but it’s something that could have happened - and I am sure it has - to professionals and the “poor.” Then again, what value would the world have with Vidiot? I mean, what would we do without perfect color saturation on reruns of Sheriff Lobo and Laverne and Shirley?
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Post by powerpoppackage on Jan 5, 2023 15:26:56 GMT
Has he described Renner's injuries as haaaaarrible yet?
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Post by Smith on Jan 5, 2023 16:57:18 GMT
wish the app still existed
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